It has been my view that going out to dinner has less to do with eating than with "doing tradition". Contextually speaking, if you are hungry you cook at home or get take out. If you fancy you can have a braai also. Though this performace of eating tradition obtains in Stockholm, Hong Kong, Paris, Moscow, New York, London and other parts of the overdeveloped world too, in Brits, Tripoli, Lusaka, Harare, Mbabane, and other economies of that size and attitude, eating out is a ritual. You go out to celebrate, if you can afford it.
True, there are those who can't cook, have disposable income, have restaurants within reasonable distance, blindly or deliberately try to strike a pose to indicate that they too belong in this class of seats, right here in Le Quartier Francais, Mathias, Dahlgren, El Bulli, or wherever, they also have use for restaurants. Even they do more than eat when they go out don't they. For one thing, they have to dress up. They usually have company. For I have seen it masterfully done, but I can't muster the art of eating out alone without appearing lost.
While I have been talking of restaurant patrons, the same point applies to chefs: what they make is not so much food as giving you an experience whose significane is better illumined by the concept of tradition. Food taste so much better if you know its routes, perhaps roots too. You can imagine how interested I was to see something on the matter in the recent issue of Taste magazine (http://www.tastemag.co.za/TheMag.aspx) where Luke Dale-Roberts has these thoughts about the whys of frothing your food:
Take the mousse. The epitome of 1960s nouvelle cuisine, the mousse actually emerged on the culinary scene during the 18th century, when chefs to French royalty discovered the frothing power of eggs and proceeded to make foams out of everything they could get their hands on. They assigned these airy, cloud-like concoctions the name 'mousse' from the French for 'lather' or 'foam' and, by the mid-1700s, everybody who was anybody was taking their nourishment in foam form, though not yet sweets (perhaps delayed by the French Revolution, it would be another 100 or so years until dessert mousses began to proliferate).
Branded the height of kitsch in the post-sixties bistromania, mousses have been assigned the same status as polyster tracksuits and garden gnomes. But, in truth, a mousse is the ultimate expression of French tradition...and, in my view, there's nothing as timeless as tradition.
Today's chefs are, for the most part, master jugglers keeping aloft the balls of tradition and innovation, convention and trend, and choosing which works works when and where.
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